Stabilized Camera Movement Norway
We provide stabilized camera movement in Norway for feature films, TV series and commercials, using gimbals, wirecam systems and specialist support rigs for precise tracking and dynamic camera work.
From handheld gimbals to large stabilized heads and cable camera systems, we build production-ready setups for demanding shoots across Norway and Scandinavia. Our systems support drone work, camera cars, wirecam and other specialist applications where precision movement and reliable workflow matter. Selected productions: Never stop ascending and Witch Hunt.
Titan LT
High-precision stabilized head for heavy cinema camera packages.
The Titan LT is a high-torque 3-axis gyro-stabilized gimbal for heavy cinema camera packages, built for tracking shots, vehicle work and demanding terrain. It pairs especially well with our Radical Arm, Black Arm and the Cadence wirecam system.
Technical Specifications
Cadence Wirecam
High-speed cable camera system for stabilized cinema packages in tight spaces and challenging environments.
The Cadence Wirecam is a high-speed cable camera system for stabilized shots in places where drones, cranes or vehicles are not the right solution. It can reach 50 km/h, carry 18 kg and works well with medium-sized gimbals such as Titan LT or Ronin 2.
Technical Specifications
Ronin 2
The industry standard for versatile, stabilized cinematography across multiple platforms.
The Ronin 2 is a versatile stabilized gimbal for handheld work, vehicle mounts, wirecam and drones. It adapts easily to many production setups and is a dependable choice for feature films, TV series and commercial shoots.
Technical Specifications
Movi Pro
Fast and efficient camera stabilization for mid-sized camera systems.
The Movi Pro is a lightweight stabilized gimbal built for fast setup, agile operation and smaller camera packages. It pairs especially well with our Alta X when productions need efficient aerial work with reduced payload.
Technical Specifications
Frequently asked questions
Do you provide vibration isolation for vehicle-mounted or high-speed tracking shots?
Yes. To reduce high-frequency vibration that gimbals alone cannot resolve, we use the Flowcine Tranquilizer. It is a proven solution for stabilizing cinema camera packages on camera cars, cranes and custom vehicle rigs.
Which gimbal setup is best for heavy cinema builds versus lightweight agile shoots?
For heavier camera packages we typically recommend Titan LT or Ronin 2, while Movi Pro is often the fastest choice for lightweight agile configurations. We match the system to payload, speed requirements and the shooting environment.
Can you supply complete gimbal and cable-cam packages with operators?
Yes. We deliver complete packages including the gimbal, control systems, wireless video, FIZ, rigging support and experienced operators. For wire work we can deploy the Cadence system with either a full team or a single-operator workflow.
Can the Cadence Wirecam be rigged over water or rough terrain?
Yes. The Cadence is well suited to rivers, valleys and architectural spaces where drones or cranes cannot operate safely or repeatedly. We handle the full rigging workflow, including safety lines and digital end-stop calibration for precise repeatable shots.
What is the benefit of the Titan LT over a standard Ronin 2 for vehicle work?
The Titan LT offers significantly higher motor torque at 18Nm, which is valuable for maintaining stabilization at speed, in wind and with larger lenses or heavier camera packages.
Do you offer remote operator setups using wheels, pan bars or joysticks?
Yes. We can provide Alpha Wheels, pan bars and joystick controllers, allowing the DP or a dedicated operator to frame shots precisely while the gimbal is mounted on a drone, camera car or wirecam.
Can your gimbals support anamorphic lens packages?
Yes. Both our Ronin 2 and Titan LT setups are regularly balanced with anamorphic lens packages. We provide the necessary counterweights and extended tilt arms to accommodate the extra length and weight of these builds.
Do you provide stabilized camera systems for international productions filming in Norway?
Yes. We support international feature films, TV series and commercial productions in Norway with gimbals, wirecam systems, remote operating setups and experienced crew for specialist camera movement.
Can your gimbal systems be used on drones, camera cars and wirecam?
Yes. Our stabilized camera systems are built for cross-platform use, including drones, camera cars, wirecam and handheld operation, depending on the payload and the production requirements.