Question 1

Do you provide vibration isolation for vehicle-mounted or high-speed tracking shots?

Accepted Answer

Yes. To reduce high-frequency vibration that gimbals alone cannot resolve, we use the Flowcine Tranquilizer. It is a proven solution for stabilizing cinema camera packages on camera cars, cranes and custom vehicle rigs.

Question 2

Which gimbal setup is best for heavy cinema builds versus lightweight agile shoots?

Accepted Answer

For heavier camera packages we typically recommend Titan LT or Ronin 2, while Movi Pro is often the fastest choice for lightweight agile configurations. We match the system to payload, speed requirements and the shooting environment.

Question 3

Can you supply complete gimbal and cable-cam packages with operators?

Accepted Answer

Yes. We deliver complete packages including the gimbal, control systems, wireless video, FIZ, rigging support and experienced operators. For wire work we can deploy the Cadence system with either a full team or a single-operator workflow.

Question 4

Can the Cadence Wirecam be rigged over water or rough terrain?

Accepted Answer

Yes. The Cadence is well suited to rivers, valleys and architectural spaces where drones or cranes cannot operate safely or repeatedly. We handle the full rigging workflow, including safety lines and digital end-stop calibration for precise repeatable shots.

Question 5

What is the benefit of the Titan LT over a standard Ronin 2 for vehicle work?

Accepted Answer

The Titan LT offers significantly higher motor torque at 18Nm, which is valuable for maintaining stabilization at speed, in wind and with larger lenses or heavier camera packages.

Question 6

Do you offer remote operator setups using wheels, pan bars or joysticks?

Accepted Answer

Yes. We can provide Alpha Wheels, pan bars and joystick controllers, allowing the DP or a dedicated operator to frame shots precisely while the gimbal is mounted on a drone, camera car or wirecam.

Question 7

Can your gimbals support anamorphic lens packages?

Accepted Answer

Yes. Both our Ronin 2 and Titan LT setups are regularly balanced with anamorphic lens packages. We provide the necessary counterweights and extended tilt arms to accommodate the extra length and weight of these builds.

Question 8

Do you provide stabilized camera systems for international productions filming in Norway?

Accepted Answer

Yes. We support international feature films, TV series and commercial productions in Norway with gimbals, wirecam systems, remote operating setups and experienced crew for specialist camera movement.

Question 9

Can your gimbal systems be used on drones, camera cars and wirecam?

Accepted Answer

Yes. Our stabilized camera systems are built for cross-platform use, including drones, camera cars, wirecam and handheld operation, depending on the payload and the production requirements.

Movi Pro

Technical Specifications

Projects featuring the Movi Pro

Troll 2

Blücher

The Changeling

lille norge

Fake a smile

In your likeness

Møt INTERSPORT

Masaharu Fukuyama and Doraemon

Gi drømmen en sjanse

Oda - Dronelevering

Veidekke - Til alle dere som elsker å bygge!